| Place of Origin: | Zhejiang, China |
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| Brand Name: | SAIXIN |
| Model Number: | ZT-553 |
| Minimum Order Quantity: | 10 pieces |
| Price: | $260.00/pieces 10-49 pieces |
| Packaging Details: | Safety foam packaging for this gold metal flower stand wedding centerpieces |
| Supply Ability: | 1000 Piece/Pieces per Month |
| Material: | Metal, Metal/crystal | Type: | Event & Party Supplies |
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| Event & Party Item Type: | Party Decoration | Occasion: | WEDDING |
| Color: | Gold/silver | Height: | 130cm |
| Width: | 80cm | Application: | Wedding,home |
| Style: | European Style | Name: | Wedding Centerpiece Flower Stand |
| Port: | Shanghai/ningbo | ||
| Highlight: | gold metal flower stand 80cm,metal flower stands wedding,metal flower stand outdoor |
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ZT-553 New design gold metal large crystal table tree centerpiece for wedding table decoration
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Product name:
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ZT-553 New design gold metal large crystal table tree centerpiece for wedding table decoration
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Material:
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Metal/crystal
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Decoration:
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wedding event,home,party
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Package:
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1 piece /3carton,safe packages,good foam with carton
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Size:
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H:120cm, W:80/60/40cm
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Color:
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Gold /Silver
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Sample:
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avaliable
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FAQ
There are certain differences in the application of crystal glass wedding flower stands under different cultural backgrounds. First of all, in terms of materials and craftsmanship, Western countries invented and used artificial crystals earlier due to the early development of industrial technology and social economy, so they have a higher level in the production of crystal crafts and artworks. This means that in the West, crystal glass wedding flower stands may pay more attention to the selection of materials and the fineness of craftsmanship to show their unique beauty and luster.
On the other hand, as a pioneer in crystal glass manufacturing, Japan's crystal glass products, such as Kagami Crystal, not only produce glassware of various styles, but are also favored for their unique clarity and brilliance. This shows that in Japanese culture, crystal glass wedding flower stands are not only practical items, but also a kind of artwork that can embody the spirit of Edo Kiriko, emphasizing the refraction effect of light after passing through different beveled surfaces of crystal glass.
In China, due to the relatively late invention and use of artificial crystals, crystal glass wedding flower stands are more popular in the market, but they are more regarded as an economical and affordable choice that can guarantee the basic crystal clear characteristics. In this case, crystal glass wedding flower stands are more often used in wedding arrangements to symbolize pure and sincere love, rather than emphasizing the exquisiteness of materials or craftsmanship.
In addition, different cultures have different symbolic meanings for crystal. In the West, flawless white crystal is often associated with purity and selflessness, and is associated with pure love. In other cultures such as China, crystal may also be given different meanings and symbols, but the specific differences need further research to clarify.
In summary, the application of crystal glass wedding flower stands in different cultural backgrounds varies in material selection, craftsmanship, and symbolic meaning. The West and Japan may pay more attention to the fineness of materials and craftsmanship, as well as the unique aesthetic value of crystal glass; while in other cultures such as China, crystal glass wedding flower stands may be more regarded as an economical and symbolic choice of pure love.
There are some specific differences in the materials and craftsmanship of crystal glass wedding flower stands in different cultures. First, from the material point of view, the transparent center vase provided by Amazon Global Shopping is made of crystal glass, which not only improves the visibility of the contents, but also has thick glass walls and a weighted base, making the entire structure more solid, heat-resistant, and the surface is polished and smooth. This shows that in some cultures, there are high requirements for the materials of wedding flower stands, not only pursuing beauty, but also focusing on practicality and durability.
On the other hand, the products on Alibaba show a different combination of materials, that is, using glass as the main material with an iron frame. This design not only reflects the use of traditional craftsmanship, but may also reflect that in some cultures, people tend to combine modern and traditional elements to express respect for traditional culture and the pursuit of modern aesthetics.
From the perspective of craftsmanship, although neither piece of evidence describes the specific process in detail, it can be inferred that the production process of crystal glass wedding flower stands will also be different in different cultures. For example, some cultures may pay more attention to the fineness of handicrafts, while others may focus more on the efficiency and cost control of mechanized production. In addition, the preference of different cultures for decorative details will also affect the design and production of flower stands, such as whether to use hollow fault technology, the number and arrangement of beads, etc.
There are certain differences in the materials and craftsmanship of crystal glass wedding flower stands in different cultures. These differences are not only reflected in the material selection, but also in the design concept and production process.
The spirit of Edo Kiriko can be embodied through the refraction effect of the beveled surface of crystal glass. The specific methods are as follows:
Precise geometric bevel cutting technology: According to the evidence, the Louxor series crystal vase uses precise geometric bevel cutting technology, so that each beam of light is reflected to the maximum extent on the diamond-cut crystal surface, creating an incredible and dazzling optical effect like a pyramid. This technology echoes the fine design and gorgeous colors of Edo Kiriko, reflecting the spirit of Japanese craftsmen and Japanese life aesthetics.
Pure hand-carved: In the production process of Edo Kiriko, craftsmen use diamond sand to cut and grind on the surface of the crystal to form delicate patterns. This craft has no draft and is done in one go with ingenuity. This pure hand-carved and meticulous carving not only shows the superb skills of the craftsmen, but also reflects the "grasp the present" life attitude of the Edo era.
Diversified and secularized cultural expressions: The Edo period was an era of vigorous development of common people's culture, with significant developments in literature, food, urban life, etc. Through the refraction effect of the beveled surface of crystal glass, these diversified and secularized cultural elements can be integrated into artistic works, further enriching and perfecting the connotation of Edo Kiriko.
Inheritance of traditional craft technology: As a traditional craft technology, the production process and techniques of Edo Kiriko have been passed down from generation to generation. Through modern technology and materials, such as crystal glass, this traditional craft can continue to be carried forward and give it new vitality in modern society.
The historical development of Chinese artificial crystal and its application in wedding arrangements can be elaborated in detail from the following aspects:
Historical development
Ancient China has a long history and unique concept of crystal. Ancient documents repeatedly mention the names of "water jade" and "water crystal", indicating the important position of crystal in Chinese culture.
After the reform and opening up, China has made significant progress in artificial crystal technology. Since 1978, China has created a series of economic development miracles, promoted the rise of a high-net-worth generation, and also led to the rapid development of the artificial crystal industry. Especially in the 1950s and 1960s, China started a difficult business without systematic information, experience and equipment, and finally achieved a breakthrough in artificial crystal technology.
Donghai City is known as the "World Crystal Capital", and its crystal industry has experienced a historic leap from small-scale production to becoming a global crystal distribution center. This process not only promoted the development of China's crystal industry, but also further enhanced China's status in the international art world.
Application in wedding arrangements
In wedding arrangements, crystal elements are widely used to create a sense of luxury and a dreamy atmosphere. For example, a wedding hall project in Jinchang City, Gansu Province, mainly used crystal and arch elements to form a crystal-themed wedding hall, which fully reflects the design requirements of "honor", "high-end", "clear" and "exquisite".
The application of crystal in weddings is not limited to form, but also includes color matching. For example, some weddings choose orange-pink as the main color, and reflect light through crystal devices to create a looming orange-pink effect, making the entire wedding scene both girlish and dreamy.
The application of crystal elements in weddings is very diverse, and can be used to make huge flowers, decorative domes or other decorations. These elements not only increase the visual impact of the wedding, but also create a unique light-sensing artistic effect.
The historical development of Chinese artificial crystal has experienced an evolution from ancient times to modern times, and has achieved remarkable technological progress and industrial development after the reform and opening up.
In Western culture, the meaning of white crystal symbolizing purity and selflessness was gradually formed through its unique physical properties and cultural connotations.
White crystal is regarded as a symbol of purity and flawlessness because of its transparent and colorless appearance. This purity is not only reflected in its physical form, but also endowed with spiritual implications. The transparency of white crystal enables it to reflect light, symbolizing inner clarity and purity. In addition, the colorless nature of white crystal is also believed to represent selflessness, because it does not carry any color or impurities, symbolizing a pure and selfless mentality.
White crystal plays an important role in culture and religion. In Buddhism, white crystal is called "Mani Pearl", which has a powerful positive and divine blessing ability, and has a powerful effect of clearing negative energy. This religious background further consolidates the status of white crystal as a symbol of purity and selflessness.
White crystal is also believed to have the ability to purify negative energy in the environment, helping people maintain peace and purity of mind. This purifying effect is not limited to the material environment, but also includes psychological and emotional levels, helping people reduce stress, improve concentration and promote spiritual awakening.
These characteristics and effects of white crystal make it widely used and respected in modern society. Many people wear white crystal to enhance their wisdom, insight and positive energy, so as to better deal with various problems and challenges in life.
The meaning of white crystal symbolizing purity and selflessness is gradually formed through its transparent and colorless appearance, its important position in religion, and its ability to purify and elevate the mind.
