| Place of Origin: | Zhejiang, China |
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| Brand Name: | SAIXIN |
| Model Number: | ZT-502S |
| Minimum Order Quantity: | 10 pieces |
| Price: | $75.00/pieces 10-29 pieces |
| Packaging Details: | 1 piece / carton,safe packages,good foam with carton |
| Supply Ability: | 100 Piece/Pieces per Week |
| Material: | METAL | Event & Party Item Type: | Party Decoration |
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| Occasion: | WEDDING | Colors: | Gold/silver |
| Material/type: | Metal | Application: | Wedding,Event Party Supplies |
| Size Big: | H:120cm*W50cm | Size Small: | H:90cm*W40cm |
| Name: | Silver Metal Candle Stand | Style: | Luxury |
| Port: | Shanghai/Ningbo |
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Product name:
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ZT-502S hot sale silver metal candle stand for wedding tent centerpiece flower decor
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Material:
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Metal
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Decoration:
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wedding event,home,party
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Package:
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2piece / 1 carton,safe packages,good foam with carton
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Size:
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H:90cm*W:40cm/H:120cm*W:50cm
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Color:
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gold or Silver
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Sample:
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avaliable
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Pujiang Saixin Crystal LLC
Our factory professional manufactureing all kinds of event decoration,wedding centerpiece ,crystal candelabra,flower stand decoration wedding, our factory for researching, manufacturing and marketing as a whole,
We have the ability to export, the products are sold over the world all countries
company is located in Pujiang zhejiang china, which is known as the "Capital of Crystal". We have 100 skilled workers. Our workshops are equipped with a complete set of facilities for product design, polishing, carving and interior laser-carving procedures. Besides, we have a good quality control system to ensure that each of our products is of good quality. As we are a direct factory, we promise that we can give you best price and after sales service.
We provide good quality and best price to welcome you to our factory.
Currently, our main international buyers are based in North America, Europe, Southeast Asia and the Middle East. Moreover, in order to expand our sales volumes, we are constantly seeking for new customers through Fairs and Internet. We welcome all customers from at home and abroad to send us inquiries or visit us.
FAQ
Crystal crafts are not only a beautiful decoration, but also contain rich cultural value and spiritual connotation. The following is a detailed analysis of the cultural value and spiritual connotation of crystal crafts:
Cultural value
Crystal crafts have a long history in China, which began in the Han Dynasty and has continued to this day. For example, the Nanjing Museum has a collection of banana leaf-shaped crystal cups from the Northern Song Dynasty and parrot pattern crystal rings from the Ming Dynasty. These crystal cultural relics show the important position and artistic value of crystal in history. In addition, Donghai County, as the birthplace of Chinese crystal carving skills, has a rich tradition and ingenuity of crystal carving.
In Chinese culture, crystal is widely used in Buddhism, Taoism and folk beliefs, and is considered a mascot and amulet. For example, amethyst is believed to increase wisdom and spiritual power, while white crystal symbolizes purity and selflessness.
Since ancient times, emperors of various dynasties have had a special liking for jade (crystal), which has become a special collection of the Chinese nation. This tradition of "gentlemen are like jade" reflects the noble status of crystal in Chinese culture.
Spiritual connotation
Crystal is believed to have the function of suppressing evil and avoiding chaos. Whenever people play with crystal, they can feel the positive energy and spiritual power it brings. This spiritual power makes crystal not only a craft, but also a spiritual sustenance.
Different crystals have different symbolic meanings. For example, white crystal symbolizes purity and selflessness, amethyst symbolizes wisdom and spiritual power, and yellow crystal gives people a royal and noble feeling. These symbolic meanings make crystal crafts not only practical, but also have profound spiritual connotations.
Modern crystal crafts, on the basis of inheriting traditional crafts, integrate Western carving techniques to create a new craft culture. For example, Liu Lingfeng's "Call of Life", a crystal carving work, not only shows the innovative exploration of contemporary jade carving art, but also reflects the combination of traditional ink art and modern crystal carving.
Crystal crafts are not only decorations, but also a carrier of people's spiritual pursuits. When creating crystal artworks, many artists reflect their perceptions of culture and life in their works, hoping to convey their wishes and visions for a better life through these works.
Conclusion
Crystal crafts not only have a noble, mysterious and magnificent appearance, but also contain rich cultural values and spiritual connotations. They have played an important role in history and have become part of religious beliefs and imperial culture. At the same time, they continue to play their unique cultural and spiritual role in modern society. Through a deep understanding of crystal crafts, we can better understand their important position and significance in human culture.
The origin and development of crystal crafts in Chinese history can be traced back to ancient times, and have undergone evolution and prosperity in many periods.
The ancient Chinese have a long history of understanding and using crystal. The "water jade" mentioned in "Shan Hai Jing Nanshan Jing" refers to crystal, which shows that as early as the Spring and Autumn Period and the Warring States Period, people have begun to contact and use crystal. This early concept of crystal laid the foundation for the production of later crystal crafts.
Entering the Han Dynasty, the art of crystal carving began to rise. According to data, the natural crystal carving process began in the Han Dynasty and has continued to this day. The crystal carving in Donghai County has become one of the national intangible cultural heritages. Its skills have been spread since the Western Han Dynasty and reached its peak in the Ming and Qing Dynasties.
During the Ming and Qing Dynasties, the production and use of crystal crafts developed further. Influenced by Buddhist culture, crystal was widely used in Buddhist supplies and decorations, becoming an important religious and cultural symbol. During this period, crystal crafts were not only valued domestically, but also gradually moved to the international market.
Since modern times, with the advancement of science and technology and the increase in market demand, the production technology and design concept of crystal crafts have also been further improved. For example, the crystal glass industry in Pujiang County originated from a family bead grinding workshop in a mountainous village in 1982. After decades of development, it has formed a large-scale industrial chain.
In addition, the contributions of Zhu Jingqiang and others cannot be ignored. Through his unique ideas and wisdom, Zhu Jingqiang opened the precedent of crystal culture, promoted the development of the crystal industry, and established the status of crystal in the jewelry industry.
In short, crystal crafts have experienced a period of Chinese history from the initial recognition in ancient times to the rise of carving in the Han Dynasty, to the heyday in the Ming and Qing Dynasties, and continued prosperity driven by modern technology and the market.
Crystal has important symbolic meanings and specific applications in Buddhism and Taoism.
Crystal in Buddhism
Symbolic meaning:
Crystal is regarded as one of the symbols of Buddhism, symbolizing nobility, purity, perseverance, serenity, wealth, health and perfection.
It corresponds to the three studies of "precepts, concentration and wisdom" in Buddhism. Practicing with amber can help people develop concentration and is a treasure for blessing those who practice in Buddhism.
Crystal is revered as a bodhisattva stone because it is believed to be able to flash magical aura and save all living beings.
Specific application:
Crystal is often used to make religious items such as Buddhist beads and is believed to bring happiness, health, wealth and peace.
Crystal is one of the seven treasures of Buddhism. Together with other gems such as giant clam, agate, coral, amber, pearl and musk, it is used to worship Buddha statues and perform religious ceremonies.
Crystal is also used to make and worship Buddha statues to enhance their spirituality and energy.
Crystal in Taoism
Symbolic meaning:
In Taoism, crystal is regarded as a symbol of wisdom, courage and power.
It has been prevalent on the earth for more than 100 million years and is considered to be the natural object with the greatest energy in the universe.
Specific application:
In Taoist temples, Taoist priests will personally chant mantras, burn talismans, step on the amulets, and consecrate and recite scriptures to bless crystal ornaments to ward off evil and eliminate disasters.
Crystals are often used for transfer and protection in Taoism, and can help people get rid of misfortune and disasters.
Crystals have profound symbolic meanings and wide applications in both Buddhism and Taoism.
Crystal crafts can deeply understand the culture and lifestyle of ancient Chinese emperors. The following is a detailed analysis:
The lives of ancient Chinese emperors were full of luxury and ritual. Crystal, as a precious material, was often used to make various luxury goods, such as crystal cups and crystal balls. These items not only showed the wealth and status of the emperors, but also reflected their pursuit of aesthetics and craftsmanship.
In ancient China, crystal cups were a symbol of nobility and wealth. Making crystal cups required superb glass craftsmanship and decorative carving skills. Ancient glass craftsmen melted and manufactured crystals, and then blew, cut and carved them into the shape of cups to create exquisite craftsmanship, making crystal cups a work of art.
As a cultural relic with historical value, Han Dynasty crystal carries traces of ancient culture, so it has a high collection value. Han Dynasty crystal uses superb carving techniques, which not only show the craftsmanship level at that time, but also reflect the emperor's emphasis on cultural inheritance.
Unearthed crystal cultural relics, such as crystal balls, crystal rings and crystal ornaments in the tomb of Zhao Zhongyan, a member of the Zhao Song clan, provide us with important clues about the development and inheritance of ancient crystal skills. These unearthed cultural relics not only show the superb level of ancient craftsmanship, but also reflect the emperor's pursuit of aesthetics and craftsmanship.
The emperor's lifestyle, cultural activities, diplomatic activities, etc. all reflect the social system and cultural style at that time. Although the emperor's life was luxurious, he also shouldered huge political and military responsibilities, and his life and activities had a profound impact on the history and culture of ancient China.
The emperors of ancient China maintained health and longevity through scientific diet, the use of Chinese herbal medicine, moderate exercise, mental conditioning and an orderly lifestyle. These health-preserving methods not only conform to the laws of nature, but also reflect the ancient Chinese people's emphasis on health and life, and also show the emperors' lofty image and leadership.
The integration of Chinese and Western carving techniques in modern crystal crafts is mainly achieved through the following ways:
The combination of artists' creative concepts and techniques: Chen Shiying's works not only integrate oriental carving techniques and European carving traditions, but also combine the subject matter of creation with the West. From traditional Chinese totems, oriental Buddhism to Western mythology, he is committed to building a bridge of communication between the East and the West in aesthetics.
International learning and exchange: For example, teachers and students from Donghai County, Jiangsu Province went to the Czech New Bor Crystal School to learn crystal carving technology. This international learning experience made their works more popular and well received by Czech teachers.
Representative artists:
Shen Desheng: He is a master of Shanghai Arts and Crafts, a master of Chinese Arts and Crafts Industry, and the third-generation inheritor of the Shanghai Crystal Carving Intangible Cultural Heritage Project. His works not only inherit and carry forward traditional classics, but also summarize practical theories and continue creativity and innovation.
Henri Lalique: His glass works advocate an inclusive style and promote the reform of glass craft technology and commercial applications. He transforms simple glass materials into utensils, vases, sculptures and even perfume bottles.
Damien Hirst: A well-known British artist, his crystal sculpture "Eternal Purity" shows his unique artistic expression and craftsmanship.
How crystal crafts become a carrier of personal spiritual pursuits and spiritual sustenance can be explained from many angles. Here are some specific examples and stories:
Crystal is considered to be a high-energy spiritual mineral that helps people improve wisdom, strengthen willpower, balance the body and mind, and promote physical health. Wearing a crystal bracelet can help people reduce negative energy and improve the balance of the mind.
Crystal also has important significance in art and aesthetics. For example, a clear and transparent ink painting or a smooth and pure music can give people a fresh and refined beauty, making people feel relaxed and happy.
Crystal carving works of art not only represent the splendid ancient Chinese civilization, but also reflect the development of artistic innovation and cultural inheritance. For example, the Donghai crystal work "The Call of Life" was selected for the collection of the National Museum, showing that natural crystal is a symbol of human beings' good wishes for progress and goodness, and is a spiritual yearning for returning to nature.
Chinese traditional sculptures are known for Buddhist themes that embody people's spiritual yearning and aesthetic concepts. For example, Weng Zhuhong carved a 100 million-year-old crystal into a Buddha statue, hoping that the viewer would be happy, ignore the subject matter, skills and materials, feel with the heart, and discover their inner beauty.
Crystal jewelry is also often associated with Western fairy tales, such as the story of "Cinderella" becoming a princess. The Cinderella brand named the crystal jewelry "Crystal Jewelry Cinderella", which conveys this meaning, and the most intuitive feeling for everyone is hope and dream.
For bracelet collectors, choosing a crystal agate bracelet that suits them is a spiritual sustenance and spiritual comfort, which is worth investing. The meaning and symbolism of the white jade crystal bracelet can bring people inner peace and satisfaction.
Wearing the Vairocana Buddha pendant can make people feel blessed and blessed, and it is also a model expression of Buddhist beliefs and spiritual pursuits. Whether in terms of production technology or historical background, the Vairocana Buddha statue has profound cultural heritage and spiritual value.
